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Monday, January 26, 2026

The Forlorn Wind: Navigating the Subconscious Desert

 


The Setting: Julian is sitting in a café, staring at a crumpled piece of paper Elias just handed him. The text is jagged, filled with dark imagery of "pitiable psychiatric donuts" and "liquid fire." Julian looks up, visibly unsettled.

Julian: Elias... this is dark. I mean, "the land of the forlorn soul," "obscene desires," "useless shit"? If I didn't know you, I’d be calling for a welfare check. This sounds like someone at the absolute end of their rope. Are you okay?

Elias: (Calmly sipping tea) I’m actually doing great. Yoga was good this morning, and the house is quiet.

Julian: (Genuinely confused) Then where did this come from? It reads like a scream from a basement. You talk about being "meant to be put to sleep." It’s terrifying.

Elias: It’s freewriting, Julian. It’s what happens when I let the pen move without the "conscious me" standing over it like a guard. Most people see unpleasantness like this and immediately try to sweep it under the carpet. They ignore it, they distract themselves, or they medicate it away. I used to do that, too. I couldn't even look at the darkness.

Julian: But why look at it if you're feeling fine? Why dig this up?

Elias: Because it’s already there. We all grew up subject to the whims and emotional disturbances of our elders. As children, we had no voice, no power. We swallowed their anger, their sadness, their inconsistencies. That energy doesn't just vanish; it goes into the subconscious and stays there, unhealed, because we were never allowed to let it out.

Julian: So this paper... this isn't how you feel now?

Elias: It’s a historical record. It’s the "liquid fire" that emanates when the soul finally breathes after being stifled for decades. My guru taught me that you can’t fight these emotions. If you fight them, you give them strength. You have to acknowledge them, embrace them, and let them flow through you.

Julian: But it’s so visceral. "A desert of paltry desires." It feels like you're judging yourself.

Elias: That’s the point of the questioning technique. When that "pitiable" voice comes out, I don't run from it. I look at it and ask, "Is this me, or is this just an old echo?" By witnessing it without judgment—the way my guru embraced everyone who came to them—the darkness loses its grip. It subsides.

Julian: I think most people are afraid that if they look at that "shitty faced" part of themselves, they’ll get stuck there.

Elias: You only get stuck if you resist. When I let it flow onto the paper, it leaves my body. I can feel the pain of others—bereavement, loss, disease—because I’m no longer using all my energy to keep my own basement door locked. I’ve accepted whatever is coming because I’ve finally stopped being afraid of what’s already inside.

Julian: (Looking back at the paper with less fear) So the "precarious existence" isn't a threat. It’s just... the truth.

Elias: Exactly. The wind only howls if you build a wall for it to hit. If you’re open, it’s just air moving.

Julian: But why is the wind so loud for everyone else? Everyone seems so... overdrawn.

Elias: Because they’re searching for the "quiet" in all the wrong places. They think peace is something you find outside—in food, work, movies, or travel. But as masters like Thich Nhat Hanh or Sadhguru teach, you can’t run away from life. Wherever you go, your mind follows you.

Julian: So the mind is the problem?

Elias: No, the mind is a tool—perhaps the most powerful organ we have. But it’s an organ our education system completely ignores. We are taught to absorb information like sponges, but never taught how to manage the restless energy of the mind itself. Living each moment consciously is the only way to channel that energy. Without that consciousness, the mind is a wild power that can wreck a human life.

Julian: So the freewriting is your way of practicing that management?

Elias: Exactly. It’s taking the "liquid fire" and giving it a conscious channel. It’s moving from being a victim of the mind to being its caretaker.


The Conclusion: Embracing the Inventory

The dialogue between Elias and Julian reveals a hidden truth about the modern psyche: most of us are walking archives of unexpressed history. We spend our lives polishing the "conscious" self—the one that meditates, works, and loves—while the "forlorn soul" remains locked in the basement, speaking a language of liquid fire and angst.

By allowing that raw, unedited voice to flow onto the page without judgment, we aren't descending into madness; we are performing an act of radical hygiene. We are clearing the "subconscious storage" that was filled during the powerless years of childhood.

When we stop fighting the darkness and start witnessing it, the "precarious existence" transforms. It is no longer a threat to be feared, but a landscape to be explored. As we learn to embrace our own "useless shit" with the same unreserved compassion shown by the great masters, we find that the howling wind of the past finally runs out of breath. We are left not with bitterness, but with a profound, grounded quiet—and a heart finally open enough to hold the pain of the world.



Tuesday, January 20, 2026

The Hell Breaker: Emanations from the Cosmic Database



This session is a barrier-breaker. It is a shattering of every stereotype regarding sex, writing, and the illusion of the "self."

I am writing right now without knowing the literal meaning. Perhaps I don't need to. "The It" knows—and that is enough. What is "The It"? It is the collective storehouse of all human knowledge. A cosmic database containing every memory of the past, the future, and the eternal present continuous.

Gentle reader, do not ask for the logic behind these disjointed phrases. These are the grunts, growls, and screams of a subconscious that isn't entirely mine. It is a localized port into the collective consciousness.

The Geography of the Soul We exist as individual beings, yet we are fundamentally interconnected. Think of the Earth: it is a single, unified entity, yet it expresses itself through distinct landmasses, continents, and islands.

It is the same water everywhere, yet we have the Black Sea, the Red Sea, and the Dead Sea. Each has its own individual, special characteristics. Each is distinct.

The Necessity of the Chasm Humans are physically separate, and we feel that mental separation deeply. But there is a reason for this "hell" of isolation: without separation, neither conflict nor communication would be possible. We need the distance to create the spark. The seers and the mystics are right—there is a continuous stratum of connection between all beings, just as all land on Earth is one foundation. But we live on the islands so that we can learn how to reach for one another.

Finding the Bridge

If you are reading this and feeling isolated, remember: your "island" is an illusion of the surface. You may feel like a separate sea—perhaps you feel as salty and heavy as the Dead Sea, or as turbulent as the Red Sea—but you are made of the same water as the rest of us.

Your loneliness is not a vacuum; it is the space where communication begins. It is the chasm that makes the bridge necessary. We are all separate landmasses, but we share the same stone heart deep beneath the waves.

The "It" knows you. You are part of the database. You are never truly disconnected.



  • Which "Sea" are you today?
    Are you feeling the calm of the open ocean, the intensity of the Red Sea, or the stillness of the Dead Sea?

  • How do you bridge the gap? When you feel isolated, what is the one thing—a word, a touch, a piece of art—that reminds you that you are connected to the whole?

Leave a comment below and let’s bridge the chasm together. Let the grunts and growls of your own subconscious be heard.

Almost

I first noticed her near the office café.

Our office complex was large enough to feel unreal—too many buildings, too many corridors, too many people moving in purposeful lines. Between the glass towers were artificial ponds, cafĂ©s, benches, and trees planted with the confidence of someone who believed in permanence.

Every morning, we entered this place and became smaller versions of ourselves.

She was wearing a midi skirt and a t-shirt. Nothing unusual, but it looked out of place among the tucked-in shirts and lanyards. She seemed comfortable in her own body, as if she had woken up late and decided not to apologize to the world.

She sat far from me.

I did not move.


I saw her again weeks later in a shared auto to the metro station.

The auto was overcrowded. Bodies pressed together like misplaced luggage. The air smelled of sweat that had waited all day to be released.

I sat beside her.

There was no space. None of us were touching anyone by choice.

I wanted to stretch my arms but couldn’t. I looked at her, not sure what I was asking.

She nodded.

That was all.

When I raised my arms, our sides touched. Her skin was warm. The contact felt accidental, but it didn’t feel meaningless.

I stared straight ahead.

To my left, a man was scrolling through his phone, his face empty.

The world was continuing.

Something in me was not.

I thought she smiled.

I am still not sure.


Over the next year, I saw her three or four times.

Never when I expected.

Near the elevators. At a tea stall. Once, across the road.

Each time, we nodded.

That was the extent of our relationship.

I found her online. I wrote messages. Deleted them. Wrote again. Deleted again.

Eventually, I sent one.

She replied.

Two days later.

Then not again.

When she did reply, her messages were polite, brief, distant—like replies sent from a room I wasn’t allowed to enter.

I constructed versions of her in my head. All of them were wrong.


We went for coffee once.

It rained that evening. The café was nearly empty. A fan clicked somewhere overhead.

We talked about work, traffic, cities we had lived in, places we might never go.

She stirred her coffee for a long time without drinking it.

I drank mine too quickly.

Nothing important happened.

Which somehow made it important.

When we left, she said, “Let’s do this again.”

I nodded.

We never did.


Eventually, I met someone else.

Not because I stopped thinking about her. But because time is skilled at rearranging things.

This new woman replied to messages. She asked questions. She stayed.

Life became practical.


One evening, we were walking out of the metro station when I saw her.

She was standing near the railing, as if she had been placed there for no particular reason.

She saw me.

Then she saw the woman beside me.

She did not move.

She did not smile.

She did not look away.

She simply stood there.

Watching.

For a moment, I thought of walking toward her.

But I could not imagine the conversation.

So I stayed.

The woman beside me asked if I was okay.

I said yes.

When I looked again, she was still there.

Then she wasn’t.


That night, I lay awake longer than usual.

I did not feel sad.

I did not feel guilty.

I did not feel nostalgic.

I felt something else—something without a clear shape.

Like hearing music from another room and realizing you will never know the song.

Some things don’t end.

They just stop becoming possible.



Monday, January 19, 2026

The Beauty in the Debris

This life rolls on and on, in search of new meaning which ever evolves without staying in one place to be framed and kept static in a cabinet. That is what human beings keep trying to do all the time—pocket something or someone and make it their own, keep it for some future purpose or use or reference, not bothering about whether that person likes it or not.

And so on. The endless locomotive chugs on and on on the railroad tracks that forever reek of the echo of stinky human excreta existence, dried up and sticking to the piles of nails and stones that clamour and clatter around the track, soiled by time and weather. The planets hurtle through the sky and the trains hurtle through the tracks while life hurtles by. We hurtle on in our endless journeys only to be pulled up suddenly at an unknown, unthought-of location, to be reincarnate again in the core belief that we have gone too far in inquisitiveness.




I Am Not Murakami

I just discovered that I am not Murakami, and I never will be.

I am not sad. I am myself. Murakami is Murakami. I don’t need to be him. I am okay being me.


Even if the only thing I could do well was to take a broom and sweep this room clean, that would be worth it—being a human being. I am not trying to pretend to be a philosopher, though sometimes it may feel that way. I am just giving voice to my thoughts. 


My understandings come like a shaft of brilliant light in a dark room. I cannot help but see them as revelations.


Tuesday, January 13, 2026

Blip


This is an endless journey of endless opportunities, all of them fake, all of them screaming for attention like drunken idiots in a street that never sleeps. Noise. Hype. Hustle. Promises. None of it means anything. It is a parade of meaninglessness, a carnival of nothing pretending to be something.

It batters my tired brain, demanding belief, demanding hope, demanding participation—while offering absolutely nothing in return.

It is a farce.

The kitten is trying to climb onto the writing table. It doesn’t know why. It just wants. It imagines something up there—victory, importance, maybe transcendence. But there is nothing. Just height. Just surface. Just another useless conquest.

That’s me.

I build dams. I raise towers. I make monuments and call them achievements. I clap for myself like a trained animal. I say: Look what I did. Look how big I am.

But in the long run, it means nothing.

Time erases me.
Memory dissolves me.
The universe does not care.

I am not special.
I am not necessary.
I am not permanent.

I am a flicker.
A glitch.
A blip.



Sunday, December 30, 2018

The Best Way is Always Through

You can't sleep away your problems...they'll still be there when you wake up
You can't eat away your problems
You can't smoke away your problems
You can't drink away your problems
You can't f**k away your problems
You can't shop away your problems
You can't talk away your problems
You can't wish away your problems...ad infinitum the crutches we've been believing in vainly
But this is what we are all trying to do
All our life.
Face them...
And you'll see them for what they are..
Before your calm and focussed attention
They lose their power to intimidate you...
For you've found yourself
You've thrown away your crutches
And learnt to rest in your own self
Your breath.
Your attention.
You're free. 

Saturday, December 15, 2018

"Unlocking the Secrets of Writing: Your Roadmap to Success"


Learning to write appeared deceptively simple at first glance. Armed with an online course and a collection of books, I eagerly embarked on this journey of self-discovery. However, the path ahead proved far more daunting than I initially imagined.

The online course I enrolled in offered only a superficial overview of various writing genres. While the additional materials I downloaded provided a wealth of information, they presented conflicting advice and left me overwhelmed. Every task seemed to have ten different approaches, leaving me unsure of where to even begin.

The question arose: Can one truly learn everything independently? Attempting to navigate the sea of textbooks and online resources only led to further confusion. Each source offered a different perspective, leaving me stranded in a labyrinth of conflicting information.

It was then that the value of teachers became strikingly apparent. Experienced instructors possess the expertise to distill complex concepts into manageable chunks, guiding students towards their goals with clarity and focus. Without their guidance, I found myself lost amidst the chaos of information overload, struggling to maintain motivation.

For those unable to access formal courses or experienced teachers, maintaining focus and commitment to self-learning becomes paramount. Here are some essential strategies to stay on track:

  1. Single Vision: Choose a single authoritative source on the subject and stick to it. Avoid the temptation to consult multiple texts, which can lead to confusion.

  2. Clear Workspace: Create a dedicated study environment free from distractions. Remove any materials not directly related to your learning objectives to maintain focus.

  3. Digital Declutter: Extend the principle of a clear workspace to your digital environment. Remove irrelevant files, bookmarks, and applications from your computer to minimize distractions.

  4. Time Management: Allocate specific time slots for studying and adhere to them rigorously. Consistency is key to making steady progress.

In conclusion, the journey of learning to write is fraught with challenges, but it is not insurmountable. Whether through formal instruction or self-guided study, the guidance of experienced teachers or the discipline of independent learning, mastering the art of writing is a rewarding endeavor. By adopting focused study habits and staying committed to the learning process, one can navigate the complexities of writing with confidence and clarity.

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